By Melissa Ames
This assortment analyzes twenty-first-century American tv courses that depend on temporal and narrative experimentation. those exhibits play with time, slowing it all the way down to spread the narrative via time retardation and compression. They disrupt the chronological movement of time itself, utilizing flashbacks and insisting that audience manage to situate themselves in either the current and the previous narrative threads. even if temporal play has existed at the small display ahead of the hot millennium, by no means ahead of has narrative time been so freely tailored in mainstream tv. The essayists supply factors for not just the frequency of time play in modern programming, however the implications of its occasionally disorienting presence.
Drawing upon the fields of cultural experiences, tv scholarship, and literary experiences, in addition to overarching theories referring to postmodernity and narratology, Time in tv Narrative bargains a few serious feedback. The expanding variety of of tv courses inquisitive about time may perhaps stem from any and all the following: fresh clinical methods to quantum physics and temporality; new conceptions of heritage and posthistory; or traits in late-capitalistic construction and intake, within the new tradition of instantaneity, or within the contemporary trauma tradition amplified after the September eleven assaults. in brief, those televisual time experiments could possibly be a cultured reaction to the weather from which they derive. those essays research either ends of this continuum and in addition attend to a different the most important variable: the tv viewer staring at this new temporal play.
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Additional info for Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming
The Television Will Be Revolutionized. New York: New York University Press, 2007. Print. Marriott, Stephanie. Live Television: Time, Space, and the Broadcast Event. London: Sage Publications, 2007. Print. McCabe, Janet, and Kim Akass, eds. Quality TV: Contemporary American Television and Beyond. London: I. B. Tauris, 2007. Print. Mittell, Jason. ” The Velvet Light Trap 58 (2006): 29–40. Print. ———. ” Just TV. July 3, 2009. Web. November 6, 2010. ———. ” MediaCommons. January 20, 2010. Web. January 22, 2010.
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18. See Stephanie Marriott’s Live Television: Time, Space, and the Broadcast Event. 19. See Tania Modeleski’s Loving With a Vengeance: Mass-Produced Fantasies for Women. 20. It is not surprising that many of the shows analyzed in this collection could loosely fall into the category of science fiction as the genre as a whole aims to accomplish what each of these time-travel narratives do on a smaller scale: work through cultural anxieties. For two highly informational studies that track this science fiction goal historically, see Nagl and Clayton (1983) and Hollinger (1999).
Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming by Melissa Ames