By Bradley A. Rodgers (auth.)
This is a Foreword through an archaeologist, now not a conservator, yet as Brad Rodgers says, “Conservation has been progressively pulled from archaeology via the forces of specialization”(p. 3),andhewantstoremedythatsituationthroughthismanual. He seesthisworkasa“calltoactionforthenon-professionalconservator,”permitting “curators, conservators, and archaeologists to spot artifacts that want prof- sional awareness and, let those pros to stabilize such a lot artifacts of their personal laboratories with minimum intervention, utilizing basic non-toxic tactics” (p. 5). it's the venture of Brad’s guide to “bring conservation again into arch- ology” (p. 6). The measure of good fortune of that target will depend on the measure to which archaeologists concentrate on, and placed to exploit, what Brad has to assert, simply because as he says, “The conservationist/archaeologist is liable to make instruction for an artifact’s care even sooner than it truly is excavated and after its garage into the foreseeable future”. . . a massive accountability” (p. 10). The handbook is a mix of hugely technical in addition to logic equipment of retaining wooden, iron and different metals, ceramics, glass and stone, organicsandcomposits—afarbetterguidetoartifactconservationthanwasava- capable of me while I ?rst confronted that archaeological problem at colonial Brunswick city, North Carolina in 1958—a problem nonetheless being confronted by means of archaeologists this day. The degree of conservation in 1958 is in dramatic distinction to the methods Brad describes during this manual—conservation has certainly made nice growth. For instance,acommonprocedurethenwastoheattheartifactsredhotinafurnace—a technique that made me cringe.
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Extra info for The Archaeologist’s Manual for Conservation: A Guide to Non-Toxic, Minimal Intervention Artifact Stablization
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It was used to make a multitude of diverse artifacts from weapons, homes, and shelters, to musical instruments, shoes, and ships. But in order to understand wood use in tools and artifacts it is necessary to understand some of wood’s characteristics as well as its make-up. Wood, like some modern materials such as plastic, has many different traits and each wood type had its historical use. For example, white oak is strong, durable, and reasonably waterproof but its too brittle make a good bow or handle for a digging tool and lacks the ﬂexibility of yew or ash.
The Archaeologist’s Manual for Conservation: A Guide to Non-Toxic, Minimal Intervention Artifact Stablization by Bradley A. Rodgers (auth.)