Studies of Laughter in Interaction - download pdf or read online

By Phillip Glenn, Elizabeth Holt

ISBN-10: 1441164790

ISBN-13: 9781441164797

Laughter is pervasive in interplay but frequently missed within the study. This quantity provides a set of unique reports revealing the highly-ordered and complicated diversity of the way tha laughs look in and give a contribution to social interactions. development on forty years of dialog analytic examine, the authors of those reports express how the layout and location of guffaws give a contribution to unfolding sequences, social actions, identities, and relationships. best specialists examine laughter in settings akin to clinics, employment interviews, broadcast information interviews, study rooms, the discourse of youngsters with serious autism, and usual conversations. those reviews convey that laughter isn't really easily a response to humor yet serves numerous roles.

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Extra resources for Studies of Laughter in Interaction

Example text

Step-up laughter In contrast to recipient laughter which tends to be softly spoken, turn-initial laughter tends to be more recognisable in its acoustic quality. Laugh units may be comprised of distinctly different laugh particles—amplitude of laughing voice is one example. Jefferson et al. (1987) discuss practices involved with the “stepping up” of laughter, in which laughter moves from a closed position to an open position gradually, along with an increase in the volume of laughter particles. g.

Although intriguing, such findings are preliminary and only describe general tendencies. Furthermore, the starting point of assuming and searching for gender difference begs the more fundamental question of how laughter might display gender in the first place (see Beach and Glenn, 2011; Glenn, 2003, pp. 158–61). Another conception of identity, perhaps more local and variable, lies in sequential role. In public speaking situations, audiences and speakers organize their vocal behavior (including laughter) in ways that reflect their respective sequential identities (cf.

9. HHH In the following extract, Caroline is watching TV with her friends, one of whom is from India. 10. Shock 06 TV1: =you take the phone for a bit and let me know if 07 any re:al people come on. ) 09 TV3: Indians are real people dad. Studies of Laughter in Interaction 36 10 ((Doorbell rings on-screen)) 11 Barbara: Mphuh 12 Caroline: ↑Ehohh! 13 Denise: Ohkh= 14 Annette: =↓Owh>hoh hguh [hooh< ] 15 Caroline: [hhh ] wh↑(h)howh! 1 for illustration of accompanying facial features) and a “wow” in Line 15.

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Studies of Laughter in Interaction by Phillip Glenn, Elizabeth Holt

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