Download e-book for kindle: Scenic Design and Lighting Techniques: A Basic Guide for by Rob Napoli, Chuck Gloman

By Rob Napoli, Chuck Gloman

ISBN-10: 0080465056

ISBN-13: 9780080465050

ISBN-10: 0240808061

ISBN-13: 9780240808062

Uncomplicated. this is often the most important note in Scenic layout and lighting fixtures Tecniques: A uncomplicated advisor for Theatre, written via professional execs with over 20 years of expertise. This booklet is designed to teach you the way to show a naked level right into a simple set layout, with out utilizing heavy language that will lavatory you down. From fabrics and building to easy props and lighting fixtures, this publication explains all it is important to be aware of to construct your set and lightweight it. * Be encouraged by means of the photographs of actual productions and examine from the educational photos* study from designer's ideas and drawings from genuine specialist and collage productions * recognize that when analyzing this ebook, you will be equiped with precisely what you want to understand to layout your level surroundings and lighting fixtures

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Extra info for Scenic Design and Lighting Techniques: A Basic Guide for Theatre

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Fullness is measured by these folds; if you use twice the amount of fabric as the finished width of the scenic cloth, you have created a drop with 100% fullness. Using 1½ times the amount of fabric is known as 50% fullness. If your cloth is completely flat with no pleats, you have zero fullness. 27: A custom sewing guide displaying fullness treatments: (a) Flat, (b) 50% Fullness, (c) 75% Fullness, (d) 100% Fullness. ) Why do we use fullness? One reason is how it looks. Full panels create a showier, luxurious feel, and, in contrast, flat panels create a very neutral black space.

Using 1½ times the amount of fabric is known as 50% fullness. If your cloth is completely flat with no pleats, you have zero fullness. 27: A custom sewing guide displaying fullness treatments: (a) Flat, (b) 50% Fullness, (c) 75% Fullness, (d) 100% Fullness. ) Why do we use fullness? One reason is how it looks. Full panels create a showier, luxurious feel, and, in contrast, flat panels create a very neutral black space. One hundred years ago, and even before, the theatre was all about grandeur and opulence; the stage houses themselves were works of art.

Imagine what can happen when you add a second skin underneath the frame. For the frame to bend, one side needs to compress and the other side needs to stretch. 20). The stressed-skin platform may be constructed any number of ways. We dare say that every theatre that uses them has its own method or has heard of one or two others that you haven’t. The unifying elements in the stressed-skin design are: • • 28 There is a top skin and a bottom skin (usually the second skin is of a thinner material).

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Scenic Design and Lighting Techniques: A Basic Guide for Theatre by Rob Napoli, Chuck Gloman


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