By Michael Essany
Do you could have an idea for a fact television exhibit, yet will not be definite in regards to the subsequent steps? Loaded with functional, step by step recommendation at the artwork and enterprise of fact television generating, and that includes insights from Mark Burnett, Dick Clark, and different most sensible manufacturers, fact payment takes you from suggestion to...reality! At age thirteen, Michael Essany introduced a lowly cable entry television speak express from his mom and dad' basement in Valparaiso, Indiana. quick ahead to 2001, and Michael had grew to become his little speak exhibit, The Michael Essany convey, right into a multimillion-dollar undertaking that quick turned some of the most spoke of truth tv exhibits. If Michael can do it, so are you able to. yet be ready for many exertions and some truth exams. This booklet comprises compelling recommendation on how to:* greater comprehend the character, complexities, and power of the truth style * bodily produce unique fact programming* Get previous the gatekeepers and bring caliber pitches to significant networks and creation businesses* Legally provide yourself with protection, your paintings, and your highbrow estate * research from glories and the gaffes of these who toiled prior to you * make the most of the net and different multimedia retailers to create and generate profit from truth programming* keep away from the pro pitfalls of the truth television undefined* Parlay truth tv tasks right into a winning and enduring profession * exhibits you all of the steps to pitching and generating a fact television exhibit* good points contributions from heavyhitters together with Mark Burnett, Dick Clark, and more!* deals details on hand nowhere else at the enterprise, felony, and inventive elements of fact television
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Extra info for Reality Check: The Business and Art of Producing Reality TV
Needless to say, the more I reflected on these and other appropriate suggestions, the more I realized that they were all relevant and worthy of discussion. Unfortunately, a likely consequence of including them in this book would be that a third of it would consist of nothing but descriptions of reality television subcategories. Ultimately, given that the reality TV programming subcategories are always growing and changing in response to industry trends, production innovations, and audience preferences, there can truly be no definitive catalogue of all things reality television.
But unlike Fear, which politely showcased a weekly cast of characters who knowingly signed up for the program, Scare Tactics was mostly a hidden-camera show made possible by the thoughtful coordination of “friends” of an unsuspecting victim. Regarded for its outlandish stunts punctuated by cinema-quality special effects and monstermovie makeup, Scare Tactics also lasted only a few short seasons. Luckily for the growing fan base longing for fear-centric programming, network and cable television networks soon launched a horde of new series that followed the accepted pattern of placing everyday people in frightening situations.
Simplifying the production process was the development and relative affordability of RCA’s TK-76 camera (not to mention the Ikegami HL-77 and HL-79), which made remotes, or portable video shoots, easier than ever. Those behind Westinghouse Broadcasting’s syndicated newsmagazine, PM Magazine, were among the first to capitalize on this new technology and paved the way for others to do the same. Within only a few years, Sony’s revolutionary Betacam further elevated the ease and quality of on-location production, as evidenced by the subsequent groundswell of reality-based programs that followed: Unsolved Mysteries (1987), America’s Most Wanted (1988), Cops (1989), Rescue 911 (1989), and more.
Reality Check: The Business and Art of Producing Reality TV by Michael Essany