Get Producing for TV and Video: A Real-World Approach PDF

By Cathrine Kellison

ISBN-10: 0240806239

ISBN-13: 9780240806235

Coming from a historical past with little to no adventure, i discovered this ebook tremendous worthy in getting me relocating ahead on my undertaking. It supplied precise details, from soup to nuts - in undeniable English, on what to contemplate, what to do, what to prevent, who to speak to. moreover, there are priceless kinds and assets contained at the CD. i'm cozy concerning the probabilities for my venture; i'm really not as beaten as ahead of I learn it.

Show description

Read or Download Producing for TV and Video: A Real-World Approach PDF

Similar direction & production books

Rick Young's The Focal Easy Guide to DVD Studio Pro 3 PDF

This hugely illustrated, complete colour publication tells you all you must recognize to wake up and operating fast utilizing DVD Studio seasoned to accomplish expert effects. all of the crucial parts are coated: getting ready your resources, the DVD SP interface, constructing your DVD, including tracks, development menus, including markers, construction slideshows, making subtitles and multiplexing.

New PDF release: Performing Chekhov

Appearing Chekhov is a different consultant to Chekhov's performs in functionality. it will likely be crucial to scholars, academics and theatre practitioners not just in Chekhov yet within the background of the trendy level.

Download e-book for iPad: Make-Up, Hair and Costume for Film and Television by Jan Musgrove

An introductory consultant for college students studying expert makeup, hairdressing and dresser abilities and `front of digital camera' pros wanting an realizing of the suggestions. Written through an skilled expert, this guide bargains a step-by step method for the entire newbie with diagrams to teach approaches for various makeup results, from corrective and personality makeup, to interval dramas, lighting tricks and prosthetics.

Read e-book online Directing for Stage and Screen PDF

If directing dramatic productions pursuits you, this publication is a simple advisor to teach you recognize to use the foundations of directing to any dramatic medium--stage, tv, or film. The authors, who've labored in all 3 media, illustrated how the rules of 1 medium relate to the opposite .

Additional info for Producing for TV and Video: A Real-World Approach

Sample text

Ultimately, the validity of these arguments rests on the shoulders of the television producer who has the skills and the capability to put these criticisms to rest. II. How TV Works Television content (a catch-all phrase for programs, news, information, music) comes into a television set through broadcast signals. These signals hold data — an image, sounds, graphic art, electronic lettering — that is re-created in your TV set as clear images and audio. There are four broadcast signals. Each signal separately controls the: • Brightness of the image • Color of the image • Audio from the image • Synchronization of the transmitter and the receiver (your TV set) Broadcast signals are transmitted through virtually the same radio waves that deliver a radio show.

The Need for People Skills Although a producer’s creative and business skills are essential to the success of a project, it doesn’t stop there. People skills are an equally important facet of a strong producer. It can’t be stated often enough: A producer can do nothing without a team. The producer builds her team on the talents of writers, directors, crew, actors, editors, composers, etc. Without them to actualize the project, a producer is useless. The producer uses her people skills to not only attract qualified people to the project, but to keep them engaged and collaborative.

5. What does the Line Producer do? How is this job different from other producing titles? 6. List two reasons why “owning” your emotions can help in managing conflicts. 7. What areas of producing might be impacted by a failure of leadership? A failure of strong ethics? 8. Define three types of learning outlined in the Learning Styles section. Include a constructive approach to working with each type. 9. How can “delegation” contribute to the fluidity of a crew and the execution of a project? 10. What have you learned so far about being a producer?

Download PDF sample

Producing for TV and Video: A Real-World Approach by Cathrine Kellison


by Jeff
4.4

Rated 4.72 of 5 – based on 4 votes