By Niels Herold (auth.)
Read Online or Download Prison Shakespeare and the Purpose of Performance: Repentance Rituals and the Early Modern PDF
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Extra info for Prison Shakespeare and the Purpose of Performance: Repentance Rituals and the Early Modern
It concludes by describing how another SBB actor, Hal Cobb, courageously confronts his own past both on the SBB stage and in his own accomplished and published writing. Herold, Niels. Prison Shakespeare and the Purpose of Performance: Repentance Rituals and the Early Modern. New York: Palgrave MacMillan, 2014. 0006. 25). 1 This opening vignette, hedged in as it is by barbed wire and a funky guitar soundtrack, is nevertheless compact with dreams of self-transport if not release, and like an overture it introduces the film’s major themes of confession, acceptance, and redemption.
And in their performances—many of them before public audiences—they enact powerful and moving rituals of reintegration (Shailor 24–25). (italics mine) Laura Bates works with inmate reader/actors in solitary confinement and then constructs bridges between these alienated performances and the larger prison population. About her extraordinary work, Shailor observes that “Sanctuaries (in the form of prison programs) are made, not found” (Shailor 24), and that because these “sanctuaries established by prison theater programs are subject to prison regulations and supervision, and facilitators must accept those constraints if their programs are to exist at all” (Shailor 23), brave and expert leadership by program founders and practitioners is “all essential” (Shailor 24).
Com/reporting/2012/10/29/121029fa_fact_filkins. com/reporting/2012/10/29/121029fa_fact_filkins. Dr. com/ reporting/2012/10/29/121029fa_fact_filkins. Other comrades weren’t as fortunate as Lobello: “. . half the men of Fox Company face severe psychological problems. Some are divorced; some are addicts; some are homeless; many are unemployed. The best known of Toone’s disintegrating friends is Lance Corporal Walter Smith, who also shot people in Baghdad that day. Like Toone, Smith left the Church after he came back from Iraq, and turned to alcohol and drugs.
Prison Shakespeare and the Purpose of Performance: Repentance Rituals and the Early Modern by Niels Herold (auth.)