By Junya Ishigami
For Junya Ishigami (born 1974), structure is a box of limitless chances that have an effect on each region of existence, elevating existential questions and requiring either medical and creative commentary. the following, the japanese architect demonstrates what an atmosphere that bases social lifestyles on natural rules may possibly appear like. (Taken from Amazon)
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Extra resources for Junya Ishigami: How Small? How Vast? How Architecture Grows
Just as the sketchbook can be used to dissect graphically an existing building, the technique of unravelling and abstracting different architectural features can be employed in the reverse – to represent the different elements of a design proposal. The explanation of form, structure and decoration can help in the development of design especially where complex matters of building services and space management are involved. A line of continuity therefore links the analysis of existing buildings to the development of new ones, with a similar range of drawing techniques being employed.
The telegraph lines also help with handling the sense of distance and chang of direction at the top of the steps. The drawing is of Andraixt in Majorca. 9 These high office blocks in Chicago exploit perspective in a vertical rather than horizontal direction. 10 A grasp of perspective is necessary to achieve drawings of this difficulty. Notice how shade provides an essential three-dimensionality. The subject is central Birmingham as drawn by Francis Tibbalds. (Francis Tibbalds) only gives the townscape sketch a certain subtlety, but helps reinforce the sense of perspective established by the angled lines.
Shadows can also give an indication of buildings behind or to one side of the artist, but not in his or her field of view. It is worth bearing this in mind if you are drawing in the street or in a square. Shadows give an indication, too, of deep, canyon-like streets as against open suburban roads. Sketching should aim to capture the character of places, and the play of sunlight with its consequent casting of shadows is part of the visual repertoire to be exploited. The depth of shadow is important.
Junya Ishigami: How Small? How Vast? How Architecture Grows by Junya Ishigami