Download PDF by Tony White: How to Make Animated Films. Tony White's Masterclass on the

By Tony White

ISBN-10: 0240810333

ISBN-13: 9780240810331

Unfortunately the times of the normal studio apprenticeship in animation are gone yet this booklet permits the reader to discover the subsequent smartest thing, gazing and staring at a grasp Animator at paintings. develop into Tony White's own animation apprentice, and event the golden period of the good Disney and Warner Brothers studios correct on your own residence or studio. Tony White's Animation grasp type is uniquely designed to hide the middle rules of lively stream comprehensively. It bargains a DVD with lively videos and filmed excerpts of the writer at his drafting board to demonstrate the options because the paintings is being created. Tony White's Animation grasp category bargains secrets and techniques and specific methods just a grasp Animator might proportion. The booklet comes out of the author's six years of real-world expert event educating animation, and 30 years event.

Whether you need to turn into a certified animator of 2nd, 3D, Flash or the other kind of animation, Tony White's foundations deliver you in the direction of that target.

The DVD is beneficial, in that readers are usually not basically taught rules and ideas within the e-book, they can see them proven in motion within the video clips at the DVD.

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Extra info for How to Make Animated Films. Tony White's Masterclass on the Traditional Principles of Animation

Example text

For example, if I am going to create the breakdown drawing (9) between keys drawings 1 and 11, I will first mark the center point for the new drawing by placing it over the curved path of action guide and lightly trace its center position. 42 The Bouncing Ball A good tip to remember is that a movement always looks smoother if there is a slight overlap from position to position on each frame. Therefore, when creating each in-between, place the center point in a position where this overlap can occur wherever possible.

You may want to have the flour sack start off still and then build up to a bouncing sequence within the scene, arriving at an ultimate conclusion. The storyline for your assignment is entirely up to you. You can use the background supplied or create your own, but you do have to draw a bouncing flour sack scene. This is one of the background layouts that the DigiPen students use for their flour sack assignments. The circular shape in the middle is a trampoline that the sack can bounce on if required.

Anyway, be honest with yourself when you view your first pencil test. Is it really moving as you anticipated? Is it jerky, or are there one or two drawings that seem out of place and jumpy compared with the rest of the action? If so, you definitely need to go back and fix the problem before moving on. If not—congratulations—you have passed your first test and are ready to go on to the next assignment! ) Suggested Reading White, T. The Animator’s Workbook. New York: Watson-Guptill, 1988, pp. 74–75.

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How to Make Animated Films. Tony White's Masterclass on the Traditional Principles of Animation by Tony White

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