By Steve Hullfish
Readers will study the rules of colour conception and video sign research, together with the variations among movie and video colour. starting with an research of universal colour corrections, the booklet will introduce the reader to the colour corrections attainable with an array of electronic video software program, similar to ultimate lower professional, optimal, Avid, Avid Xpress DV 2.0, After results plug-ins, and different nonlinear software program. colour correction difficulties and strategies are provided with tutorials at the better half CDROM to make sure that the reader earnings a operating wisdom of the techniques.
Color Correction for electronic Video indicates you ways to exploit colour to enhance your storytelling, convey serious emotional cues, and upload effect in your movies. starting with a transparent, concise description of colour and conception idea, this booklet indicates you ways to investigate colour correction difficulties and remedy them-whatever NLE or plugin you utilize.
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Additional resources for Color Correction for Video - Using Desktop Tools to Perfect Your Image
Usually your monitor will come with some sort of setup procedure from the manufacturer. Also, most computers have settings that adjust the graphics card that feeds your monitor. This setting is usually referred to as a profile. These profiles attempt to ensure that the colors on the image in your monitor match the colors of the image that is sent from your computer. Even if you are monitoring your main output color on a video monitor, the computer monitor should be set up as accurately as possible.
All of the light that comes out of your screen, of any color, originates from this backlight. When the backlight bounces light out toward you, it is diffused by a screen to even out the light output across the screen. From there, a polarizing filter orients the light so that the waves are only going in one direction, let’s say vertically. Then the light passes through the actual liquid crystal panel. If there is no electrical current applied to a specific pixel on the panel, then the light stays in this vertical orientation.
There are also patterns in the red and green channels. With red, the first two color bars have 100 Red, and the second pair of bars have 0 Red. The third pair of bars have 100 Red, and the final bar has 0 Red. With the green channel, the first four bars have 100 Green, and the last three have 0 Green. So what do these patterns in the bars have to do with properly calibrating your monitor? A lot. To explain it, let’s look at the RGB readings as we move along a color wheel. The color wheel in Corel Painter makes it easy to visualize (see Figure 2-11).
Color Correction for Video - Using Desktop Tools to Perfect Your Image by Steve Hullfish