By Robert Schmutzler
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Additional info for Art Nouveau
Ognized the ever-renewed spiritual drives whereby everything is constantly being metamorphosed. The so that even linear intersections scarcely ever occur, and, as in of Blake's illuminated pages, text Blake's earliest charm of the small book-page, Infant Joy (plate 27), world of children's songs which characterized period. The illustration that surrounds the poem is poems poem graphical methods. 24 and the idea of the illustration displays the same kind of benevolent fantasy as the form which expresses and sustains it.
Erating the distinctions between text and picture, is intellectual any of the with what artists who is visual, By oblit- by fusing what Blake went even further than followed him chronologically. If one com- pares individual works of Blake and of Art offer significant similarities, Blake's style Nouveau now artists which seems more purely Art Nouveau than Art Nouveau In a title itself (plate 114 and page 48). page that Van Rysselberghe designed for an Almanach features too. Were one other characteristic its to think of him, in the terms used by William who was not only poet, painter, book his own works, but who might also have Morris, as a universal artist illustrator, and printer of designed furniture and everything else for the home, one would be able to visualize all these various objects only as most imaginative forms of Art Nouveau.
St,ll Life (1839) 21 22 2i LOUIS COMFORT TIFFANY York 22 Hamilton Fish residence, New (circa 1880) Anonymous photographer Before the Ball (between 1854 and 1864) Opposite: 23 CHARLES GARNIER (1861-75) Grand staircase of the Paris Opéra 38 26 >r^-3v |W j"-^^rx & ^ --'*• ( HflWAulSo: «. 7:-! "»». rvji. LIAM BLAKE Experience" (1794)
Art Nouveau by Robert Schmutzler