By Vito Acconci, Kenny Schachter, Lilian Pfaff, C. Schelbert, Wieser, Keßler
Bekannt als Konzept- und Performance-KÃ¼nstler, der seiner Zeit weit voraus warfare, verwirklichte Vito Acconci 2003 eines seiner ersten architektonischen Projekte. FÃ¼r seinen Galeristen-Freund Kenny Schachter gestaltete er den multifunktionalen Galerieraum modern in big apple. Dieser "experimentelle Raum" wurde Programm fÃ¼r ihre weitere Zusammenarbeit bis hin zum neuesten gemeinsamen Projekt in King s pass, London. Vito Acconci wurde Ã¼ber die Jahre mehr und mehr zum Architekten. Sein Acconci Studio plant so unterschiedliche Projekte wie den Skateboard Park in San Juan, den Inside-Out book shop (Documenta X) oder stÃ¤dtebauliche Planungen fÃ¼r Tel Aviv. Vito Acconci und Kenny Schachter trafen sich 2004 und 2005 zu zwei GesprÃ¤chen in London und Basel.
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Extra info for Art becomes Architecture becomes Art: A Conversation between Vito Acconci and Kenny Schachter, moderated by Lilian Pfaff
Number two: When you or anyone with an architectural project creates a form, it has certain attributes, a sculptural aspect. Vito Acconci But every millimeter of that form should be able to be used. Kenny Schachter But you’re kind of jaded, we know your reactionary position with regard to art. I remember this young artist, when I first talked to her—she was a young kid at Columbia, just graduating, a painter—about doing an exhibition, she was so excited at the prospect of working in your space, but when push came to shove, she recoiled from the thought of presenting her work in this context.
I’ve always preferred the messier, Marx Brothers’ brand of slapstick humor. Kenny Schachter In a group show at the Museum of Modern Art (MoMA), you changed your address to MoMA and had all of your mail delivered there; thus you had to visit the museum in order to fetch your mail, and you turned your ordinary wohl nie in diese Richtung gedacht. Aber Duchamp war nach meinem Geschmack zu sehr ein Dandy. Er stand zu weit über den Dingen, urteilte immer und war voller Ironie. Ich konnte mich noch nie für Ironie begeistern; sie ist zu glatt.
Wie die abstrakte Malerin Mary Heilmann. Sie war begeistert, in diesem Ding zu arbeiten. Es kann die Menschen 38 of art. Someone like me would probably have been perfect for the space, but I’m not the only example. Kenny Schachter Some people really rose to the occasion. Like the abstract painter Mary Heilmann. She was thrilled to work in that thing. It can inspire people. A gallery is not the ultimate resting space for art, so why not do something that’s more adventurous. Vito Acconci But you’ve even said that you sometimes wished the space had more white walls.
Art becomes Architecture becomes Art: A Conversation between Vito Acconci and Kenny Schachter, moderated by Lilian Pfaff by Vito Acconci, Kenny Schachter, Lilian Pfaff, C. Schelbert, Wieser, Keßler