By David Theodore Fyfe
First released in 1942, Theodore Fyfe's ebook on Cambridge structure was once written to 'enable the customer to Cambridge to grasp the worth of town and collage for illustrating the series of kinds in English architecture'. together with over fifty drawings of either well-known and lesser-known Cambridge architectural attractions, and a word list giving transparent definitions of technical architectural phrases, the ebook is still a useful consultant for the trendy customer. The creation outlines the vital English architectural types, from Romanesque to Gothic to Renaissance, the sessions within which they flourished, and their major features. Fyfe then analyses over thirty chosen Cambridge examples intimately, together with an outline of the Perpendicular Gothic sort as exemplified on a grand scale via the world-famous King's university Chapel - 'the glory of Cambridge'.
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Additional info for Architecture in Cambridge: Examples of Architectural Styles from Saxon to Modern Times
Plasterwork. From the later Middle Ages until the end of the eighteenth century, Plasterwork was an important factor in ornamental treatment. ' Parge-work', or the ornamenting of external walls that were plastered on timber framing, with simple patterns or coats of arms—modelled in relief and sometimes coloured—can be seen in the English country or in villages and towns, on sixteenth and seventeenth century buildings that are often quite humble; their internal ceilings sometimes being decorated in a similar way.
J -. r r , Fig. 19. Ceiling panel, Bishop West s Very different in character chapel> Ely Cathedral, 1« 3. from the preceding is the output of contemporary large-scale heraldic work that was used occasionally in the form of panels on the gatehouses of the more important manors of the period. The manor house of East Barsham, in Norfolk (c. 1^2^), shows one of the best examples, the ornamental parts being carried out in cut brick; but two Colleges in Cambridge—St John's and Christ's—that had one Foundress in the first decade of the sixteenth century, offered opportunities, that were not missed, for this kind of work.
It is perhaps safer to accept T. G. Jackson's definition—'The Renaissance of Roman Architecture', if only because the word 'Modern' is a dangerous one to use. It is sensible to talk of 'the architecture of modern times', meaning by that, of our own times, but it is sometimes misleading to talk of 'modern architecture '; and though it is now becoming a habit to use this term to define a particular expression of the present day, it is possible that future historians will call this ' the re-inforced concrete phase', when dealing with the twentieth century.
Architecture in Cambridge: Examples of Architectural Styles from Saxon to Modern Times by David Theodore Fyfe